ReviewsThe Greatest Showman: The Musical

We were lucky enough to catch The Greatest Showman: The Musical not once, but twice during its sold-out run at the Bristol Hippodrome and even now, we are still revelling in what we witnessed.

From the moment the curtain rose, it was clear this is no tentative first outing. This is a production that arrives fully formed: bold, assured, and unquestionably West End ready. In fact, it already feels like it belongs there.

To say we were impressed would be an understatement. This is, quite possibly, the best show we have ever seen on stage, yes, it really is that good.

A Spectacle Worthy of Its Name

Translating a film so synonymous with spectacle to the stage is no small feat, yet The Greatest Showman does so with remarkable confidence. It captures the heart and energy of the original while expanding its theatricality, leaning into what live performance does best, connection, immediacy, and scale.

The choreography is nothing short of exhilarating, filling the stage with movement that feels both precise and joyfully unrestrained. Ensemble numbers burst with energy, creating a sense of occasion that rarely lets up. At times, it feels less like watching a musical and more like being swept up in an event. Lets just say the opening number will blow you away, with split second timings, blink and you might miss it.

Performances That Elevate

At the centre of it all is a charismatic and commanding P.T. Barnum, anchoring the production with both presence and emotional depth. We witnessed both Oliver Tompsett and Josh St.Clair in the title role and while each brings equal pizzazz, they command the stage in distinctly different ways. Tompsett delivers with rich, velvet tones, while St. Clair leans into Barnum’s charm with effortless charisma. Both are exceptional, five stars and more.

Samantha Barks (Charity Barnum) provides the show’s emotional anchor, bringing warmth and stillness amidst the spectacle. Her vocals, as expected, are nothing short of stunning.

Vajèn Van Den Bosch (Jenny Lind) is, quite simply, the songbird. Her rendition of Never Enough is breathtaking, roof-raising in every sense, with soaring top notes that feel almost effortless. A flawless piece of casting.

Lorna Courtney (Anne Wheeler) injects the production with energy and flair. Her new solo number is a standout, joyful, dynamic, and instantly endearing.

Malinda Parris (Lettie Lutz) delivers power and heart in equal measure. Her voice is extraordinary, her performance deeply moving—an inspiring, unforgettable turn.

And let’s not forget Ben Joyce (Phillip Carlyle), who more than holds his own in an exceptionally strong cast.

It’s a performance that understands the balance between showmanship and sincerity, ensuring the character never becomes caricature. The supporting cast and circus ensemble are equally impressive, each bringing individuality and warmth to their roles. The sense of company is palpable, this is an ensemble that works as one, yet allows moments of personal storytelling to shine through.

Vocally, the production soars. The score, already beloved, is delivered with power and clarity, but also with a freshness that makes it feel newly discovered.

Staging That Dazzles

Visually, the production is a triumph. The staging is inventive and fluid, transforming the space effortlessly from intimate moments to full-scale spectacle. Clever use of set, lighting, and choreography ensures that the world of the circus feels alive without ever becoming overwhelming.

There is a cinematic quality to the transitions, yet it never loses the immediacy of live theatre. Every detail feels considered, contributing to a production that is as cohesive as it is captivating.

A Show That Lives Up to the Hype

What is perhaps most striking is how confidently The Greatest Showman: The Musical embraces its identity. It knows exactly what it is, uplifting, unapologetically theatrical, and driven by heart. It delivers on every level.

Having seen it twice, we can say with certainty that this is not a show that diminishes on repeat viewing. If anything, it reveals more with each watch: small details, layered performances, and moments that land even more powerfully the second time around

Final Thoughts

This is a production that feels destined for a long life. It is polished, powerful, and already operating at a level many shows take years to reach.

The Greatest Showman: The Musical is, quite simply, a triumph. A show that reminds you why theatre matters, why it excites, moves, and brings people together.

The greatest show on stage? Quite possibly. We cannot wait to see what this show achieves next! If we could we would give this show 6 stars, it deserves them.